Perhaps the fact that this was originally just a doujin project explains it.
None of the composers’ names ring a bell in my head (which is a shame, because their work here is quite memorable).
Then it never stops being crazy until the credits roll, but fortunately crazy doesn’t always mean careless. Metajo nails at least the latter in a fearless way, letting itself blow out of proportion right from the start. Because of technical limitations, developers preferred sticking to heavily standardized turn-based combat systems, leaving many games looking like awkward copies of each other differing only in their (often lacklustre) storyline and atmosphere. SRPGs flooded the Japanese video game catalogue in this era.
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